This is the blog of the PanoTwins
This image is from the August page of my 2018 calender. This image shows a remapped photosphere and was taken inside the orchestra shell of Oberstdorf (Bavaria, Germany). Reprojection is little planet (stereographic down).
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This spherical panorama shows a wooden bridge near Nordpol in Bad Hindelang.
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Camera Maker: SONY
Camera Model: ILCE-QX1
Exposure Time (sec): 1/80
F-Number: 7.1
Focal Length (mm): 7.5
ISO: 200
Lens: Walimex 7.5mm/3.5
Technique:
The shooting was done from with a monopod. Stitched from four images taken with a Walimex (Samyang) 7.5mm fish eye lens on a Sony ILCE-QX1. Four images around and an additional image for the nadir. The zenith was retouched by hand in post-processing.
This spherical panorama shows a wooden bridge near Nordpol in Bad Hindelang.
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Camera Maker: SONY
Camera Model: ILCE-QX1
Exposure Time (sec): 1/80
F-Number: 7.1
Focal Length (mm): 7.5
ISO: 200
Lens: Walimex 7.5mm/3.5
Technique:
The shooting was done from top of a monopod. Stitched from four images taken with a Walimex (Samyang) 7.5mm fish eye lens on a Sony ILCE-QX1.
This spherical panorama shows the Frühstückspavillon in Kassel (Germany).
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Camera Maker: SONY
Camera Model: ILCE-QX1
Exposure Time (sec): 1/200
F-Number: 7.1
Focal Length (mm): 7.5
ISO: 100
Lens: Walimex 7.5mm/3.5
Technique:
The shooting was done from top of a monopod. Stitched from five images taken with a Walimex (Samyang) 7.5mm fish eye lens on a Sony ILCE-QX1. Four images around and an additional image for the ground.
This panorama has been shot with the Ricoh Theta S. I mounted it on a painter pole and leaned it against the tree.
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Camera Maker: RICOH
Camera Model: Theta S
Exposure Time (sec): 1/2000
F-Number: 2
Focal Length (mm): 8
Located in the in the historic Victorian precinct of Oamaru Steampunk HQ is an art collaboration and gallery. When you stop by for a visit be sure to take a look at the newly installed ‘Infinity Portal’. It’s absolutely breathtaking.
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Camera Maker: SONY
Camera Model: ILCE-QX1
Exposure Time (sec): 1/25
F-Number: 7.1
Focal Length (mm): 7.5
Technique:
The shooting was done with a pole to stabilize the camera. The lens was mounted with a custom-made bracket. Stitched from four images taken with a Walimex (Samyang) 7.5mm fish eye lens on a Sony QX1. Four images around. The zenith and nadir was retouched by hand in post-processing.
Near Point Lonsdale Lighthouse you have access to the beach via a short trail. You can find some iteresting rocks on the beach.
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Camera Maker: SONY
Camera Model: ILCE-QX1
Exposure Time (sec): 1/100
F-Number: 7.1
Focal Length (mm): 7.5
Technique
The shooting was done with a pole. The lens was mounted with a custom-made bracket. Stitched from five images taken with a Walimex (Samyang) 7.5mm fish eye lens on a Sony QX1. Four images around. The zenith and nadir was retouched by hand in post-processing.
This image was taken on the Webb Bridge in Melbourne. It spans the Yarra River and the architect is Denton Corker Marshall in collaboration with artist Robert Owen.
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Camera Maker: SONY
Camera Model: ILCE-QX1
Exposure Time (sec): 1/800
F-Number: 7.1
Focal Length (mm): 7.5
Technique
The shooting was done with a pole which stood on the red wall. The lens was mounted with a custom-made bracket. Stitched from five images taken with a Walimex (Samyang) 7.5mm fish eye lens on a Sony QX1. Five images around to get rid of my own shadow (standing left and right of the pole while taking the image(s) which faced the opposite direction of the sun). The zenith and nadir was retouched by hand in post-processing.
The Block Arcade is one of the tourst icons of the city of Melbourne. It was erected between 1891 and 1893. The panorama shows the central atrium of the arcade.
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Camera Maker: SONY
Camera Model: ILCE-QX1
Exposure Time (sec): 1/60
F-Number: 7.1
Focal Length (mm): 7.5
Technique
The shooting was done with a pole. The lens was mounted with a custom-made bracket. Stitched from five images taken with a Walimex (Samyang) 7.5mm fish eye lens on a Sony QX1. Four images around and an additional image for the nadir. The zenith was retouched by hand in post-processing.
This stereographic reprojection shows this panorama.
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