This image shows a reprojected image of the panorama Construction site of the European Central Bank. The projection is “stereographic down”.

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    This is the blog of the PanoTwins
This image shows a reprojected image of the panorama Construction site of the European Central Bank. The projection is “stereographic down”.

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    This weekend I built my remote control for my Sony NEX-7. So I was finally able to do a pole shot with this camera. This is the resulting panorama.
Construction site of the European Central Bank
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    This image shows a reprojected image of the panorama Heini Klopfer ski jump (at the base). The projection is “transcverse mercator”.

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    This image shows a reprojected image of the panorama Heini Klopfer ski jump (at the base). The projection is “stereographic down”.

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    This image shows a reprojected image of the panorama In the Breitachklamm. The projection is “transverse mercator”.

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    Click on the thumbnail image to open the cinemagraph in a higher resolution. The original footage has been taken from a Full- HD movie. I exported some seconds of the film to individual images and used The Gimp to create this animated GIF image.

In the previous post I presented a reprojected version of this panorama. I used the reprojected panorama as a base image for a Droste type reprojection. The result is the christmas tree below.

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This image shows a reprojected version of the Summit of the Imberger Horn.

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    Yesterday I presented a somewhat older panoramic image from 2006. Usually I don’t need that much time to reach a result which matches my vision. My standard workflow for panoramic images starts with loading all the files in the raw converter. I choose a common white balance for all images and unify exposure, shadows, and other parameters which have to be identical among every source image. After stitching I got the following result:

I was really disappointed. In my imagination the view just was stunning. But what I saw on the screen was really dull and boring. I tried to achieve a better result with adding masks and doing some dodging and burning, but I didn’t reach my goal of a spectacular image. So I left the files on the harddisk and they were buried in oblivion.
Recently I purchased Olonoe Photo Engine in order to use it for my high dynamic range workflow of spherical panoramas. Independently of that fact, I was recently crawling through the sphericals of our website and I stumbled upon the panorama PanoTwin Jürgen shooting Castle Rock. So I browsed my database for the images and found the long forgotten files of Castle Rock on my hardddisk. Immediately I realised that this image is a good candidate for the mode ‘raw recovery’ of Olonoe Photo Engine. So here is the result after playing a bit with the parameters:

So I choose the ‘raw recovered’ image as new base image of my tweaks. Again I applied some dodging and burning, but now the image matched my vision when I was standing at the coast of Lynton and looking towards Castle Rock. And this is the final result:

As Olonoe Photo Engine is capable of processing TIFF images with a bit depth of 16bit, be sure to start your panoramic imagery with images in RAW mode of your camera. And for best results stick to a full 16bit workflow.
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    Nearly six years ago we’ve been at the Panotools-Meeting in Bath. After the sessions we toured the south-west of England four another two weeks. And while taking a little hike near Lynton I took this panorama. And finally today I consider this image as completely post-processed 🙂

Panotwin Markus made a spherical while I was shooting a mosaic of this view. Back in 2006 I used a Konica Minolta Dynax 7D which had 6 Megapixel. As the shot was hand-held and I wanted to make sure not to forget some portions of the view, I chose an overlap of approximately 50%. So I ended up with 20 images (4 columns with 5 rows in landscape orientation). The final panorama has a resolution of only 42 Megapixel. But hey, this was nearly six years ago!
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